Join Opera Orlando for Opera Everlasting on the Main stage! The Opera Orlando is thrilled to return to the incredible Steinmetz Hall at Dr. Phillips Center for the Performing Arts for the 2022-23 Season.
Enjoy a Mozart masterpiece, share in the remarkable true story of the 1914 Christmas Truce of World War I, and be blown away by a Donizetti comedy full of slapstick fun and vocal fireworks! You have until July 5 to save up to $40 when you purchase a Main stage subscription!
THE MAGIC FLUTE
Music by Wolfgang Amadeus Mozart & Libretto by Emanuel Schikaneder sung in German with English dialogue and supertitles*
Friday | October 28, 2022, at 7:30 p.m.
Sunday | October 30, 2022, at 2 p.m.
Featuring the Orlando Philharmonic Orchestra & puppetry by MicheLee Puppets
ALL IS CALM
The Christmas Truce of 1914 written by Peter Rothstein with vocal arrangements by Erick Lichte & Timothy C. Takach sung acapella in English
Friday | December 23, 2022, at 7:30 p.m.
Saturday | December 24, 2022, at 2 p.m.
THE DAUGHTER OF THE REGIMENT
Music by Gaetano Donizetti & Libretto by Jules-Henri Vernoy de Saint-Georges and Jean-François Bayard sung in French with English dialogue and supertitles
Friday | April 21, 2023, at 7:30 p.m.
Sunday | April 23, 2023, at 2 p.m.
Featuring the Orlando Philharmonic Orchestra & dancers from the Orlando Ballet English translation projected above the stage to help follow the action. See YOU at the Opera!
About Opera Orlando
Opera Orlando’s mission is to engage and entertain Central Florida audiences through the transformative experience of opera. Presenting high-quality, relevant productions and educational programs for all ages that enrich and reflect our community’s diverse culture.
Opera Orlando is committed to fostering a diverse, inclusive, and equitable workplace. We believe that the best ideas, decision-making, and, ultimately, service to our art form and industry are borne from diverse perspectives. We continue to work toward diversity and inclusion, establishing an environment where all employees, guest artists, and volunteers, whatever their gender, race, ethnicity, national origin, age, sexual orientation or identity, education, or disability, feel valued and respected.
“It is wonderful that this company, while loving the traditions and music from the centuries of opera’s creation, is also open to exploring and speaking with a contemporary voice to contemporary audiences.”
— Terry Olson, Orange County Arts and Cultural Affairs
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