Eros and Thanatos Art Exhibit by Susan Hensel

Park Ave Magazine | Winter Park Florida

Eros and Thanatos: A Susan Hensel Art Exhibit

 

View the Susan Hensel Art Exhibit. The artwork in the Eros and Thanatos series is elemental, like the first handprints on the cave walls. The images are beautiful: oval, floral, undersea, vulvar: evocative of birth, life and pleasure. This work is a consideration of beauty while still acknowledging vulnerability, pain and brokenness.

Dates: Feb. 13 – Mar. 16, 2020

Opening Reception: Feb. 13, 5-7 p.m.

Location: Sanford/Lake Mary Campus, Building J, Room 109

About Susan Hensel

I am a multidisciplinary artist, with a 50+ year career, who combines a mixed media practice with embroidery across digital and manual platforms. I make sculpture and wall art using the colors and techniques of commercial embroidery, designed on the computer and stitched out on the computer-aided embroidery machine with the aim to create an experience for the viewer that overwhelms with color, transcends the quotidian and encourages one, for even a few seconds, to step outside the narrative of the ego into a place of pure sensation.

Digital machine embroidery is not a substitute for, nor a speedier version of, nor an imitator of handwork. It is a mindset and a media choice in and of itself.

As an artist, I find its beauty and structure is qualitatively unique. It deals in optical color perception but provides a lenticular opportunity due to the tri-lobal structure of the thread and its ability to bend light. To quote Jane McKeating, “Color drips off the needle every bit as richly as from a brush.”

Digital embroidery lends itself to hard-edge geometry as well as biomorphic form.  The combination of high tech with “women’s work” provides a delicious contrast of hard/soft, nostalgic/current, objective/non-objective. It also lends itself to modular repetition and re-combinations. Themes can be played out quickly in the computer and then stitched and sampled oh so slowly on the machine; combined with and without mixed media in a wide-ranging exploration of forms in space.

In this chaotic time, digital textiles seem like a way to begin to bring order to the world. Order is, however, always unstable, a glimmer of hope, cut off by random acts of chance or intent. It is no different in digital embroidery.  In the computer, all things seem orderly, put together, and logical, as though the human propensity for chaos did not exist.  In production, chance operates human error, flawed thread, broken needles, run out bobbins, high humidity, low humidity, fabric popping out of hoops and the panicked phone call from a friend.  Repair savvy, canny attention, and a spirit of wabi-sabi are essential.